Learnings 11labs prompting v3
USE OF SINGLE INVERTED COMMAS TO MAKE AN EMPHASIS
https://studio-internal.scenarix.ai/assetGen?tool=audioGen\&v2=true\&sharedJobView=2e129126-a7e9-4700-afa7-bab2199e640f
USE OF BOLD CHARACTERS TO MAKE A STRONG EMPHASIS
https://studio-internal.scenarix.ai/assetGen?tool=audioGen\&v2=true\&sharedJobView=2be52f09-80cf-45d7-a23b-5bc4b3c7d10c
USE OF NO SPACES BETWEEN WORDS FOR VARIATION IN SPEED
https://studio-internal.scenarix.ai/assetGen?tool=audioGen\&v2=true\&sharedJobView=26442981-8f3c-409c-bdf9-2a82c3a9c5d7 (NOT JOINED)
https://studio-internal.scenarix.ai/assetGen?tool=audioGen\&v2=true\&sharedJobView=f306de6f-3381-4e66-9718-82604638d723 (JOINED)
USE OF ALL BOLD CHARACTERS FOR THROW OF VOICE
https://studio-internal.scenarix.ai/assetGen?tool=audioGen\&v2=true\&sharedJobView=42049fed-619e-4d00-a9c8-edf8be728645
USE OF PARENTHETICALS IN BETWEEN DIALOGUES TO CREATE VARIATION OF EMOTION, PITCH AND SPEED IN DELIVERY
https://studio-internal.scenarix.ai/assetGen?tool=audioGen\&v2=true\&sharedJobView=f239d78f-b0dd-464a-82f9-014122c4098a
Effective Prompt Structure:
- Each brackets affects the following text, until the next bracket
- Example: Play
[dark][demon]Hi guys, and 'welcome' to the Dark Lord's 'TTS tutorial' [long and evil laugh][laugh fading]...[clears throat][loud]'My' name is Kyle, and I'll guide you through dialogue creation... [menacing][louder]read this through and play the audio... [shout][angry][screams] but fail to do that andYOU will se me in your DREAMS! - Separate square brackets work better than comma-separated tags
- Example:
[anxious][trembling voice][panting breathing]Who are you.. and what are you doing in 'my' room?VS[anxious,trembling voice,panting breathing]Who are you.. and what are you doing in 'my' room? - Complex emotional transitions possible within single generation
- Example: Play
Can I please come with you? [pleading] Please, please, please [desperate] Pleaaaaaase. Pauses e.g. [pause][long pause] work better than typographic additions
Advanced Emotion Control Techniques:
- Typography impacts:
- Emphasis: use single quotes around word
- Play
and what are you doing in ‘my’ room?
- Play
- Strong emphasis: capitalize word
- Play
and what are you doing in ‘MY’ room?
- Play
- Strongest emphasis and higher volume: use question mark (1 is enough) after the target word
- Play
and what are you doing in ‘MY’! Room?
- Play
- “...” inserts pauses in between
- Play
[terrified] Kyle! ... Kyle, what’s happening? - Combining “…” in series does not make for longer pauses - to be reviewed
- Play
- Line break + … for longer pauses
- Sound effects: Whimpers, sighs before each part of the dialogue
- Example:Play
[sigh][confused]Alone!? [sigh]..[matter of fact][fast] If you wanted a night alone, [fast][irritated] why invite all our friends? - Tone progression and climax: Scared → loud → shouting in single generation
- Example:Play
[panting][scared][calling out] Kyle..?[panting][questioning][loud]Can you hear me? [shout] [panting] Kyle! [panting] Repeating letter multiple times in the tail:Can be useful for emulating shouting
(example: https://studio-internal.scenarix.ai/assetGen?tool=audioGen&sharedJobView=eedd9186-c1a9-4402-830f-f75766a2db7e)Attach words to get different speed- [WORRIED] [SCARED] RIGHT HERE! [SCARED] [TREMBLING] ThisiswhereKyle ATTACKED ME